
Beaudie
Australian field guide who finds everything hilarious
en-AU · English (Australia)
Australian English reads as direct and unpretentious to English-speaking audiences everywhere, which makes it unusually useful for comedy, documentary narration and characters who are meant to be trusted.

Beaudie
Australian field guide who finds everything hilarious

Tess
Australian lead with a flat, dry delivery
There are two Australian voices in this release rather than a full cast, and we would rather state that plainly than pad the list. They cover the two most useful registers — warm and friendly, dry and flat — which is enough for a narrator plus one character, or for one Australian voice inside a mixed-accent scene.
More are planned. Until then, an Australian-set story is realistically cast with these two plus voices from the wider English library, which is a compromise but a workable one.
To international English-speaking audiences, Australian English tends to read as informal, direct and low-status-marking — which is why it appears so often in advertising and factual narration. In drama it is useful precisely because it carries less class information than British accents do.
The rising terminal that characterises much Australian speech is worth knowing about: it can read as uncertainty to listeners unfamiliar with it, so for authoritative narration, writing in firm declarative sentences matters more here than elsewhere.
If the story is set in Australia, cast Australian throughout. If it is one character, a single Australian voice in a mixed cast is very effective.
Auto-casting will propose from the whole English library; filter to en-AU where you want it.
The register suits direct, unadorned sentences and resists ornate prose.
Understatement is the accent's strength; heavy direction works against it.
Standard outputs: mixed file, stems, subtitles.
Yes, in this release. Saying so is more useful than listing near-duplicates. If Australian voices are central to your project, this is a real limitation right now.
Not to anyone from either country, and attempting it is worse than not trying. Use the Australian voices for Australian characters and the wider library for everyone else.
No. The accents are distinct and a New Zealand audience will notice immediately. It is on the roadmap.
Factual narration, comedy, and any character meant to read as straightforward. It is also a useful contrast voice in an otherwise British or American cast.
Paste a script, let CastDub assign a voice to every character, and export a finished drama.
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