
Beaudie
Australian field guide who finds everything hilarious
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en-AU · English (Australia)
Australian English reads as direct and unpretentious to English-speaking audiences everywhere, which makes it unusually useful for comedy, documentary narration and characters who are meant to be trusted.

Beaudie
Australian field guide who finds everything hilarious

Tess
Australian lead with a flat, dry delivery
Alle 40 Figuren ansehen – jede von ihnen spricht Australian English →
Two characters in the library are written Australian rather than a full ensemble, and we would rather state that plainly than pad the list. They cover the two most useful registers — warm and friendly, dry and flat — which is enough for a narrator plus one character, or for one Australian voice inside a mixed-accent scene.
The wider English set reaches thirty-two distinct voices, so an Australian-set story is realistically cast with these two plus characters from the rest of the library. That is a compromise and it is a workable one, because in a scene that has already established its setting, an unmarked voice reads as local.
To international English-speaking audiences, Australian English tends to read as informal, direct and low-status-marking — which is why it appears so often in advertising and factual narration. In drama it is useful precisely because it carries less class information than British accents do.
The rising terminal that characterises much Australian speech is worth knowing about: it can read as uncertainty to listeners unfamiliar with it, so for authoritative narration, writing in firm declarative sentences matters more here than elsewhere.
If the story is set in Australia, cast Australian throughout. If it is one character, a single Australian voice in a mixed cast is very effective.
Auto-casting proposes library characters from all forty; where you want Australian, filter the voice library to en-AU and swap in Beaudie or Tess.
The register suits direct, unadorned sentences and resists ornate prose.
Understatement is the accent's strength; heavy direction works against it.
Standard outputs: mixed file on any plan, SRT from Plus, per-character tracks on Pro.
Two Australian characters, yes. The English cast as a whole reaches thirty-two distinct voices; it is the Australian-marked slice of it that is thin. If Australian accents are central to your project, that is a real limitation.
Not to anyone from either country, and attempting it is worse than not trying. Use the Australian voices for Australian characters and the wider library for everyone else.
No. The accents are distinct and a New Zealand audience will notice immediately, so the Australian voices are no stand-in for one.
Factual narration, comedy, and any character meant to read as straightforward. It is also a useful contrast voice in an otherwise British or American cast.
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